“She-Hulk: Lawyer at Law”

John Latchem

Netflix’s supernatural thriller “Stranger Things” remained at No. 1 on Parrot Analytics’ US Digital Originals chart for the week ended August 26. 95.5 times the demand of an average series. “Stranger Things” fell to No. 2 on Parrot’s list of overall TV shows.

New Disney+ series “She-Hulk: Attorney at Law” has climbed 10 spots to No. 2. Marvel Comics’ latest adaptation stars Tatiana Maslany as Bruce Banner’s cousin who accidentally gains her powers from the Hulk, which has major effects on her career as a lawyer. The series premiered its first weekly episode on August 18. It recorded a 59.8% rise in expressions of demand for the week, giving it 40.6 times the demand of an average series.

The remaining number 3 was Hulu’s “Only Murders in the Building”. It had 38.4 times the average demand after a 12.4% increase in expressions of demand following the availability of the second season finale on August 23.

Seth MacFarlane’s sci-fi series “The Orville,” which made the transition from the Fox network to Hulu for its third season, rose to No. 4 on the Digital Originals chart. It recorded a 0.06% decline in expressions of demand to give it 32.7 times the average demand.

Prime Video’s superhero series “The Boys” has dropped to No. 5 on the Digital Originals chart. It saw a 6.2% decline in expressions of demand to give it 32.6 times the average demand.

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A “digital original” is the term used by Parrot to refer to a multi-episode series in which the most recent season was made available for the first time on a streaming platform such as Netflix, Amazon Prime Video, Hulu or Disney+ .

The No. 1 TV series in terms of online demand was “Game of Thrones”, with an average demand of 108.7 times, benefiting from the launch of the prequel series “House of the Dragon” on HBO.

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Media Play News has partnered with Parrot Analytics to provide readers with a weekly top 10 of the most popular digital original TV series in the US, based on the company’s proprietary metric called Demand Expressions, which measures demand of TV content in a given market across a wide variety of data sources, including video streaming, social media activity, photo sharing, blogging, comments on fan rating platforms and reviews, as well as downloading and streaming via peer-to-peer protocols and file-sharing sites. The results are expressed as a comparison to the average demand for a TV show of any type in the market.